Noh Joke: A Review of “One Green Bottle”
The first minute of Tokyo Metropolitan Theatre’s One Green Bottle, running at La MaMa through 8 March, is already well worth the ticket price. Where… Read More »Noh Joke: A Review of “One Green Bottle”
The first minute of Tokyo Metropolitan Theatre’s One Green Bottle, running at La MaMa through 8 March, is already well worth the ticket price. Where… Read More »Noh Joke: A Review of “One Green Bottle”
Precision is a quality we expect of detectives and surgeons, not playwrights. Yet it’s precisely what makes Pinter’s plays so unnerving. The pregnant pauses like… Read More »Pinter à l’américaine: A review of “The Dumb Waiter”
One of the pleasures of attending fringe theatre is discovering unexpected troves of art tucked away in underground spaces. A prime example is The New Ohio Theatre, which, to judge by the imposing vault door, once concealed wealth of a more mundane character.
‘Whereof one cannot speak, thereof one must be silent.’ A famously pregnant quote that, like much of Wittgenstein, defies easy interpretation, idiomatic translation. Though perhaps… Read More »Theatrical Investigations: A Review of ‘Ludwig and Bertie’
…but the musical numbers are so expansive, inventive, subversive, so side-splittingly funny that one quickly catches one’s breath. This is, after all, a musical, and… Read More »Behind the Looking Glass: A Review of ‘A Strange Loop’
The first thing that struck me on my virgin tour of Los Angeles last October was the homeless problem. On a cab ride from LAX… Read More »A Modest Proposal, or Why I Did Not Attend the Hollywood Fringe Festival