“Of the Woman…”: A Review
Lily Houghton’s new play “Of the woman came the beginning of sin and through her we all die” starts strong with a promising premise and a talented cast.… Read More »“Of the Woman…”: A Review
October 2019
Painting the Roses Black: A Playdate Review of “Painted Alice”
Tortured artists are an insufferable bunch. As partners they tend to drag you down with them. As characters, though, they can be lots of fun… Read More »Painting the Roses Black: A Playdate Review of “Painted Alice”
“Terra Firma”: A Platform at the End of the World
Micronations hold a perennial fascination for students of the human condition. On the one hand, they seem to offer a ready model of the commonwealth… Read More »“Terra Firma”: A Platform at the End of the World
Why?
The product of over six decades of fruitful collaboration, Why? by legendary English director Peter Brook and French playwright Marie-Hélène Estienne is many things: a… Read More »Why?
Theatrical Investigations: A Review of ‘Ludwig and Bertie’
‘Whereof one cannot speak, thereof one must be silent.’ A famously pregnant quote that, like much of Wittgenstein, defies easy interpretation, idiomatic translation. Though perhaps… Read More »Theatrical Investigations: A Review of ‘Ludwig and Bertie’